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Erskine Caldwell ERSKINE CALDWELL
The Art of Fiction No. 62
Interviewed by Elizabeth Pell Broadwell, Ronald Wesley Hoag
Issue 86, Winter 1982
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From the Interview
INTERVIEWER
Mr. Caldwell, what first interested you in becoming a writer?

CALDWELL
Well, I was not a writer to begin with; I was a listener. In those early decades of the century, reading and writing were not common experiences. Oral storytelling was the basis of fiction. You learned by listening around the store, around the gin, the icehouse, the woodyard, or wherever people congregated and had nothing to do. You would listen for the extraordinary, the unusual; the people knew how to tell stories orally in such a way that they could make the smallest incident, the most far-fetched idea, into something extraordinarily interesting. It could be just a rooster crowing at a certain time of night or morning. It’s a mysterious thing. Many Southern writers must have learned the art of storytelling from listening to oral tales. I did. It gave me the knowledge that the simplest incident can make a story.
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