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THE PARIS REVIEW No. 191
Winter 2009 |
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Ha Jin on the Art of Fiction. An interview with Mary Karr: “In memoir, the only through-line is character represented by voice. So you better make a reader damn curious about who’s talking.” Poetry from James Schuyler and Robert Hass. A dispatch from the high plains of eastern Congo by Lieve Joris. New stories by Aimee Bender, Patricio Pron, and Carsten René Nielsen. Plus Benjamin Percy's encounters with the animal world; a folio of photographs by Massimo Vitali; winter poetry by Marianne Boruch, Cathy Park Hong, Dorothea Tanning; and more. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Ha Jin, The Art of Fiction No. 202 | | Mary Karr, The Art of Memoir No. 1 |
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| FICTION |
| Aimee Bender, Faces | | Carsten René Nielsen, House Inspections | | Patricio Pron, Ideas |
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| DISPATCH |
| Lieve Joris, The High Plains |
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| MEMOIR |
| Benjamin Percy, Me vs. Animals |
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| POETRY |
| Marianne Boruch, Honest-to-God Color, God Said, for Artists | | Robert Hass, Four Poems | | Cathy Park Hong, Abecedarian Western | | Jessica Fordham Kidd, Biggest Fish I Will Ever See | | Alison D. Moncrief, Prologue | | James Schuyler, Six Poems | | Maggie Smith, Apologue | | Dorothea Tanning, Cultivation |
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| PHOTOGRAPHS |
| Massimo Vitali, Bathers |
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