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THE PARIS REVIEW No. 28
Summer-Fall 1962 |
$40 | Order Now |
The Buddhist monk who swallowed a canary: Henry Miller on the Art of Fiction.
Confucianism, fascism, and treason: An interview with Ezra Pound.
An essay by Alfred Chester. Stories by Ingeborg Bachmann, Samuel Beckett, and Jorge Luis Borges. Poems by Patrick Bowles, Donald Finkel, and William Meredith. |
| TABLE OF CONTENTS |
| INTERVIEW |
| Henry Miller, The Art of Fiction No. 28 | | Ezra Pound, The Art of Poetry No. 5 |
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| FICTION |
| Ingeborg Bachmann, Everything | | Samuel Beckett, from How It Is | | Jorge Luis Borges, Funes the Memorious | | Albert J. Guerard, The Lusts and Gratifications of Andrada |
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| FEATURE |
| Alfred Chester, In the Cold | | Hans Kinkel, The Sculptor Gustav Seitz | | André Maurois, A Note on Jorgé Luis Borges | | Henry Miller, Planetary Conjunction—a Manuscript Page | | Ezra Pound, A Prison-Letter, An Autobiographical Outline |
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| POETRY |
| Patrick Bowles, Two Poems | | Steve Bronson, Two Poems | | George Mackay Brown, The Sailor, The Old Woman and The Girl | | Robert Patrick Dana, Meditations On A Woman's Voice | | Donald Finkel, To Professor So-And-So | | Christopher Logue, from a new English version of Homer's Iliad--Book Sixteen | | William Meredith, To Bertholt Brecht | | Donald Petersen, Paris Again | | Ezra Pound, Two Poems | | David Ray, Two Farm Scenes | | William Stafford, The Wanderer Awaiting Preferment |
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| ART |
| David Edwards, Cover | | Gustav Seitz, Drawings and Sculptures |
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